By Mario Vargas Llosa. Translated by Edith Grossman. This novel, a gritty depiction of a society grounded in corruption, hedonism and violence, may be a sendup of life in Peru before the downfall of Alberto Fujimori in , but it has contemporary relevance for many countries. When civic life becomes degraded, Vargas Llosa demonstrates, everyone is affected, the rich and the poor, the high and the low, the victim and the victimizer. The Odyssey. By Homer. Translated by Emily Wilson. Osborne, who worked as a reporter along the border in the early s, knows Mexico well and he passes that knowledge along to Marlowe.
The Overstory. The Parking Lot Attendant. An Ethiopian-American teenager living in a mysterious island commune narrates this impressive debut novel, recalling her childhood in Boston and her entanglement there with a charismatic parking-lot attendant and his possibly sinister schemes. The Perfect Nanny. By Leila Slimani. Translated by Sam Taylor. A Princess in Theory. By Alyssa Cole.
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This novel checks a lot of boxes: STEM girls, gaslighting, sexual consent. By Lionel Shriver. A collection of short fiction that becomes a wry catalog of the many ways an acquisitive urge can go astray. Pure Hollywood: And Other Stories. By Nick Drnaso. Drawn and Quarterly. By Ling Ma. Slave Old Man. By Patrick Chamoiseau. Translated by Linda Coverdale. New Press. His exhilarating flight evokes the shock of freedom with tactile immediacy. The Sparsholt Affair. For a man in the s, gay sex was a scandal that led to a prison term. His son comes to maturity in a different era, one in which he can take a legal husband.
Spinning Silver. A State of Freedom. Naipaul, presents five interconnected stories set in India and exploring the lives of the unmoored. There There. A View of the Empire at Sunset. By Caryl Phillips. Wade in the Water: Poems. In her new collection, the poet laureate addresses national traumas including slavery and the Civil War — some of the poems are drawn from the letters of black soldiers — while asking how an artist might navigate the political and the personal.
Washington Black. The Witch Elm. French has stepped away from her standout Dublin Murder Squad series to deliver a nervy, obsessive novel — equal parts crime thriller and psychological study — about an art gallery publicist and an unsolved murder in his family. By Deborah Eisenberg. She is an artist of the unsaid: the unacknowledged silences and barely intimated strangenesses of the world. Ali: A Life. By Jonathan Eig. Houghton Mifflin Harcourt. American Dialogue: The Founders and Us. By Victoria Johnson. The doctor to the infamous Hamilton-Burr duel also created a legendary botanical garden for early America, now buried far beneath Rockefeller Center.
Johnson tells his story. For his latest book, Bauer, an investigative journalist, went undercover as a guard at a private prison in Louisiana. By Eliza Griswold. Arthur Ashe: A Life. By Raymond Arsenault. He belongs on the Mount Rushmore of elite sports figures who changed America. Elizabeth Holmes and her startup, Theranos, perpetrated one of the biggest scams in the history of Silicon Valley, raising millions for a medical device that never really existed.
By Marwan Hisham and Molly Crabapple. One World.
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By David Sedaris. In his new collection of comic personal essays, Sedaris — who is now 61 — grapples seriously with themes of family, mortality and illness. As always, his very essence seeps through the pages like an intoxicating cloud. Churchill: Walking With Destiny.
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This is the best single-volume biography yet written. By Greg Lukianoff and Jonathan Haidt. The crash of , Tooze argues, was caused in both Europe and America, and its impact, he says, has been more political than economic, leading to a continuing wave of nationalism, protectionism and populism throughout most of the West. By Catherine Nixey. We are accustomed to stories of Christians martyred by pagans, but in this searingly passionate book, Nixey reverses the narrative, describing in great detail the desecrations and destruction Christians wreaked upon pagans and classical civilization.
By Alice Bolin. Williams, a New Yorker staff writer, tells the bizarre story of a man caught smuggling a stolen Tyrannosaurus skeleton into America. It connects her with the dark network of people trafficking in pilfered fossils and takes her all the way to Mongolia. Educated: A Memoir. Pinker continues his recent argument for being happy about the state of the world, despite the rise of authoritarian nationalism, with a rousing defense of the four big ideas named in his subtitle.
Last year saw a profusion of books about Martin Luther to mark the th anniversary of his posting the 95 Theses. Massing widens the lens wondrously, bringing in Erasmus, the great humanist foe of Luther. Their rivalry set the course for much of Western civilization. Feel Free: Essays. By Joanne B. A noted historian uncovers the scores of brawls, stabbings, pummelings and duel threats that occurred among congressmen between and The mayhem was part of the ever-escalating tensions over slavery.
The Fifth Risk. Lewis brings his breezy, appealing style to an examination of three relatively obscure government departments, energy, agriculture and commerce, shining a light on the life-or-death work these agencies perform, and showing how the Trump administration is doing what it can to undermine them. Fly Girls.
The title honors the female aviators who were hindered by the deep gender inequities of the golden age of flying.
Frederick Douglass: Prophet of Freedom. By David W. This second volume of an important biography looks at both the public and private life of a major figure of the 20th century. Heavy: An American Memoir. This searching account of growing up in Jackson, Miss. Laymon probes his experience with racism, obesity and sexual violence with candid intensity, but it is his complex portrait of maternal love that leaves an indelible mark.
By Michael Pollan. Pollan writes about new research into psychedelics and how they can reduce trauma. He also describes, in sometimes remarkable ways, how he experienced his own trips. In Pieces. This somber, intimate and at times wrenching self-portrait — written by the actress herself and not a ghostwriter, with minimal rationalization, sentiment or self-pity — feels like an act of personal investigation, not a Hollywood memoir. It is fascinating to learn how politics, philosophy, and various schools of thought have changed the way we think about monotheism.
Most of us don't spend much time considering where our ideas about God came from. In A History of God , Armstrong gives the reader a wealth of information in order to better understand the big picture. It's a meaty book, full of big ideas and well worth the read. Her agent found the book thoroughly distasteful and suggested an extensive rewrite.
Shriver eventually found a new agent and published the book to great success. Twelve years later, We Need to Talk about Kevin continues to be a timely and necessary examination of evil in our society and what happens when that evil is under your own roof. It's a compelling and grim read that has a train-wreck quality to it; you can't seem to look away from the characters. Are they despicable, or well-meaning people floundering in a situation beyond their control? While it's likely you've read her more recent titles, to get the keenest sense of Erdrich and her heritage, it's well worth it to return to the first novel of her Native American series, Love Medicine.
The story exposes the heart and soul of the Kashpaw and Lamartine families living on a North Dakota reservation, across generations.
Erdrich's writing is colorful and melodic throughout, with breathtaking passages like her depiction of Grandpa Kashpaw: "Elusive, pregnant with history, his thoughts finned off and vanished. The same color as water. It can be hard to pinpoint what makes Lydia Davis's writing so magnetic. Her precise, no-nonsense language combined with her liberal definition of the short story? Her attention to the overlooked, the mundane, the clutter in our lives that holds so much meaning? Her understated sense of humor, so deeply ingrained in her observations about the absurdities of life?
Whatever it is, you'll find it in spades in her Collected Stories , which compiles all of Davis's short fiction from her seminal Break It Down through Varieties of Disturbance Few writers' work lends itself so well to a compilation. Whether you pick stories at random or start at the beginning and work your way through the collection highly recommended , this is a book that feels like the best gift: fun, poignant, and endlessly rewarding.
Atwood is a master at conveying the inner landscape of her characters, and her novels are frequently peppered with sharp and incisive social commentary. Adored by both readers and critics, she has published over 40 works, including many books of poetry, and has won countless accolades, including the Booker Prize and the Arthur C. Clarke Award.
Cat's Eye , written in , is the story of Elaine, a famous painter who returns to the city where she grew up for a retrospective exhibit of her work. Long flashbacks take the reader back to Elaine's childhood where she endured much emotional torment from her group of friends. Cat's Eye is an uncanny portrayal of how cruel children can be to their peers, the toll it can take on the victims, and how that cruelty echoes on in the mind for years.
Atwood brings Elaine's world alive for the reader in vivid and incandescent detail. In her short 53 years, Mary Shelley wrote novels, plays, short stories, essays, biographies, and travel books, but it's not surprising that she is best known for her novel Frankenstein. It's hard to separate the idea of Frankenstein's monster from the popular icon he's become, but everyone should read the original novel.
Shelley's gothic masterpiece, first published when she was only 20 years old, is far richer than the legacy it brought to life, a work of elegance and depth, more tragedy than monster story, exploring the dangers of hubris, the nature of so-called evil, the sorrows that lead us to our crimes, and the possibility that rejection and remorse are far greater horrors than any monster. Highsmith is a master of stark, poetic prose, acclaimed for her relentless themes of murder and psychological torment. She is best known for her series of five Tom Ripley novels, popularly referred to as the Ripliad.
Like the Ripley stories, Highsmith's debut book, Strangers on a Train , is most remembered for its adaptation to the screen. Its hypnotic plot revolves around a moment between two strangers and one very out-of-the-ordinary proposition: "…what an idea! We murder for each other, see? I kill your wife and you kill my father!
More than just a gripping thriller, this fascinating character study asks the question: What is the dividing line between sanity and madness, between the hunted and the hunter? Solnit is one of the most eloquent, urgent, and intelligent voices writing nonfiction today; from Men Explain Things to Me to Storming the Gates of Paradise , anything she's written is well worth reading. But her marvelous book of essays A Field Guide to Getting Lost might be her most poetic, ecstatic work.
Field Guide is about the spaces between stability and risk, solitude, and the occasional claustrophobia of ordinary life.
With dreamlike transitions, Solnit considers a variety of examples which contrast created wildness with natural wilderness, including Passover, punk music, and suburban youth, the early death of a friend from an overdose, movie-making in the ruins of a mental hospital, and her affair with a hermit in the Southwestern desert. She explores the mysterious without puncturing the mystery, and that is a remarkable achievement indeed. Sontag was good at pretty much everything related to language — she wrote novels, stories, plays, and memoirs.
But the best of her efforts were her essays and critical writings. It's difficult to narrow down a single collection to represent her nonfiction work, which ranged from horror movies to encapsulating "camp" to exploring illness as metaphor.
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On Photography is one of her seminal works, wherein she redefines and examines ways of seeing, representation, and reality. As Sontag writes in the first essay, "In Plato's Cave," "To collect photographs is to collect the world," and On Photography radically expands our consciousness of what it is to live in such a place. If the only book you've read by Toni Morrison is her Pulitzer Prize—winning novel Beloved , you're missing out. Known for her powerfully evocative prose, her grand mystical tales steeped in black history, her haunting and haunted characters, Morrison is an author whose body of work demands attention.
Her third novel, Song of Solomon — Barack Obama's self-proclaimed favorite book — is a magnificent, epic story following Macon "Milkman" Dead, along with an assortment of characters whose lives touch, and at times endanger, his own. Violence and a palpable fear of injustice pervades the people of this book, set in Michigan in the '30s through the '60s.
But moreover, as the many characters emerge in full color for both Milkman and the reader, Song of Solomon is a book of awakenings, and a tale of one man's journey from defiance to action. As sinuous a novel as Valeria Luiselli's Faces in the Crowd is, it is all the more remarkable on account of it being a debut — and a most assured one at that. The Mexican novelist and essayist's first fiction entwines multiple narratives and perspectives, shifting between them with the ease and gracefulness of a writer far beyond her years Faces in the Crowd was published when Luiselli was Faces in the Crowd , beyond its gorgeous writing and superb composition, is modest yet striking, measured yet salient.
Last fall, the National Book Foundation named Luiselli one of 's "5 under 35," and given the evident range of her myriad literary talents, it's no great wonder why. Reading Virginia Woolf is like stepping out onto a veranda, where the entire world unfurls before you in dazzling detail. Her unparalleled ability to paint a scene so exquisitely, and to inhabit her characters with such clarity and intensity, makes for an experience that is both awe-inspiring and deeply moving. To the Lighthouse , set in a weathered vacation home on the edge of a Scottish isle, depicts lives shaped by the temperament of the environment and the ancient myths of the sea.
People's moods change at whim, perspective passes fluidly from body to body, and the grandeur of the landscape beckons the characters to embark on a journey that proves epic voyages don't always involve great distances. It doesn't get more beautiful than this.
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A career-spanning work that features poems from eight separate collections, Poems New and Collected offers some four decades of the poet's finest verse. Despite having published only a few hundred poems during her lifetime, Szymborska was regarded as one of the century's finest European Poets. Described as the "Mozart of Poetry," Szymborska was recognized by the Nobel committee "for poetry that with ironic precision allows the historical and biological context to come to light in fragments of human reality.