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They want to at least see if you can live up to what the first one was. I believe it is true in that sense. I know for myself, I am always changing, growing rather and getting to places within myself where I feel comfortable with exposing other sides of myself to people through music. So with each album it just gets a little deeper for me that way.

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For some reason, it ended up not being — after spending an astronomical amount of money with two hot producers of the moment — for a song that was suppose to be the first single because they were hot at that moment and the production style of the song was suppose to be the hottest. But in terms of what I write and what I sing and who I do it with, I have control over that.

What brought about you being moved to record this song and to start this foundation? RP: Growing up around it. Growing up around physical abuse — Being exposed to it and realizing the effect that it has had on my life and my view of relationships. I knew that it was something that a lot of people could relate to and I know definitely a lot of people that come from the place I come from and could relate to it. You know, like having a platinum record and all that kind of stuff. For me, my success is everyday, waking up cool with myself, and cool with my decisions and my choices — Always maintaining true to myself and artistry first.

Beneath all of that there has to be a reason why they keep you. Also keeping in mind, there have been other artists that have been dropped for similar situations. I know that what I bring to the table is credibility and strength in music- Individuality, hope and truth. But the thing that impressed me the most were people standing there, being able to sing word for word every single one of your songs.

Can you give me an idea of just how you feel when something like that happens? On the other hand, it sometimes felt like I was not either existing on this planet or the other people involved in my career were fucking crazy. To do a show, sell it out and have people standing there, singing every song. RP: What changes? Those people get paid five hundred thousand dollars a year to do that, so they should know how to do it. What I know how to do is write songs, and present Rahsaan Patterson.

Not that I have deaf ears to other peoples opinions or anything like that, but number one, I have to respect your musical knowledge in order to even check for your opinion. RP: Exactly! That we all are capable of achieving greatness and we all have the power to do and be whatever we want. The move has become a sign of the times for many renowned and successful as well as incredibly talented upstart artists frustrated by the bureaucracy, limitations and short-sightedness of the major music behemoths.

Catch him if you can! For more on Rahsaan Patterson go to his website, Not-of-this-world. Of course! The story of arranger, cellist, and composer Larry Gold is one that should serve as an example to many in the music business or for that matter, in any business. Why you ask? Because his success is a result of his sincere love for what he does, a desire to grow, the recognition of talent around him, and of course, his own outstanding ability.

Pain in My Soul: A Retrospective View of What I Discovered in Life

That experience, while concurrently siphoning the knowledge of Sound of Philadelphia architects Kenny Gamble and Leon Huff and renowned producer, Thom Bell, accounts for the prowess that has since driven both, major acts and emerging artists to engage his services. Another is his love of the place he was born, bred and still calls home.

You guessed it, Philadelphia. And the two go hand in hand. Even from a little child I was learning Elvis Presley tunes on the guitar. So it was both. I think Rodney Jerkins knew. I think that Amir Questlove of The Roots knew. So when he was approached by the UK label, BBE, to do a record, the concept was a no-brainer — an homage to the rich and legendary Philly music scene he has been a part of for so many years.

Some [artists] that people never heard of. On Don Cello and Friends he successfully whips up the spirit of the classic Philly sound while displaying vibe of the current Philly music scene. I had a very strong sense. They were a band. In a way, they folded into the into the neo-soul movement. Check out Larry Gold presents Don Cello and friends by clicking here. This has been a look back the soul seen. Taking a look at his impressive resume, you can certainly see why he would. His multi-ranged, soulful sound has been employed by music icons like Sting, Billy Joel, Michael Jackson and Barry White to name a few.

He was part of the inventive vocal ensemble, Voicestra, fashioned by the amazing, Bobby McFerrin. It was always my intention of coming to New York, doing tour work and working with other artists. Really just perfecting that world of being a session singer. I love harmony. I love singing with other singers. I love that! But what I realized is that Earth itself gives us the easiest example of what it is. So for me the song became this great play on words. Why you say?

It was one of the most memorable times for me. But again, aside from keen soul searchers here in the US, known about mostly in the UK. Hopefully there will then be a more sizeable American contingent, captured and thirsting for the new project planned for completion this year. So rather than just stepping over with a new thing, I thought it would be easier to introduce people to the latest stuff. The hard core fans obviously know it, but it would be cool to introduce it on a bigger scale. When asked about being bestowed with the tag he is guardedly grateful for the assessment, but has astutely put it all in perspective.

And the moment in time dictates the focus. Best By Far, a masterfully woven tapestry of grooves, sounds and incredible arrangements, is the mission accomplished. It seems unimaginable that with the formal introduction of Best By Far to U. But of course, that remains to be seen. However for Omar, his task is simple. Check out the Best By Far by clicking here. It also celebrates and represents another first for him — the first release on his reactivated, Pookie Entertainment label, on which the Lucy Pearl project was put out, but that is now totally independent.

According to Saadiq, starting with a live recording was very significant. Indeed, the super gig recorded live at the House of Blues in Los Angeles wields an ultra-tight band backing up Saadiq as he rouses a sold-out crowd with an array of memorable tracks. But that only holds half the excitement. The other half comes from the guests who share the stage with him.

Through it all, Saadiq punctuates the kaleidoscopic sound of bygone funk and soul, hip-hop and an infusion of spiritual joy, with an ardent tone — confident and sincere — serving as a clarion call for all to share fond memories and embrace the new. That makes me feel really good.

1. Introduction

This feature also provides audio excerpts from the actual interview at the end of the of feature. For many of us as kids, being drawn to a figure that possesses a special something that we marvel at and stand in awe of is a pivotal part of growing up — Pivotal because for many, those figures influence our goals and tendencies — Shape our likes, dislikes and ignite an ability to see pass the known and seek possibility.

If music is your passion the list of revered that fall under that category is relatively short, but oh so sweet. So then imagine the extreme anticipation of receiving the call that would put me voice to voice with the one whose remarkable, innovative style marries vocal prowess with dazzlingly unique, improvisational technique adored and recognized the world over. J or Jordan. Imagine once more a greeting that creates an air of history between the two of you.

A warmness that invites you to pull up a chair and talk old times. Actually, I and several other millions do. The kind that has left an unquestionable, lasting impression. And then there is his most recent accolade, a star on the Hollywood Walk of Fame. Not too bad for the one time rehabilitation counselor and Milwaukee native. This newest addition to the Jarreau collection establishes that his recipe for musical magic still grabs blue-ribbon status, boasting a trademark blend of musical genres, tight grooves, memorable melodies, lyrical splendor and of course, the main ingredient that is his expressive, emotive, and ingenious vocal style.

Its just not me culturally. While admitting my own one time quest for recording artist stardom, I also fessed up, at the risk of appearing to be an obsessive loon, to learning his songs, word for word, note for note and inflection for inflection.

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And all of that stuff came together with Broadway music. I could sing you most of Oklahoma the Rodgers and Hammerstein musical any time you want me to or South Pacific another Rodgers and Hammerstein musical. I sang that music on stage as a kid in High school. And that stuff just kind of mixes with each other along with religious music you learned as a kid.

Chris Marquis/Pain in my soul lyrics

And out comes this different brand of music with my thumbprint on it. Providing accurate and reliable online information not only empowers patients to make informed decisions about their own health when they might not be comfortable or able to discuss with health professionals directly Sillence et al. FMS also compromised the functioning of the family.

Participants understood the strain their FMS symptoms placed on others, and this awareness caused distress:. Participants struggled to juggle family demands and the needs of their condition. For example, although they believed it would benefit their symptoms, participants found that making even mundane changes to their diet was difficult to achieve due to financial constraints or the daily reality of family life.

The physicality of parenting was another challenge, especially for those with younger children, for whom FMS sometimes acted as a barrier between them and their child:. When discussing the onset of FMS, most of the participants described a traumatic incident later in life; however, a few of the participants described particularly problematic childhoods, including abusive relationships.

Such experiences could dramatically alter the relationships within the family across the generations. Many of the participants discussed the hereditary nature of FMS and described close relatives who had also had chronic pain conditions. Cudney et al. The current findings provide detailed insights into how and why this occurs, demonstrating the day-to-day impact on being able to parent and maintain intimate relationships in the context of FMS.

The experience of FMS appeared to create negative self-perceptions in these participants. Some also felt they were unable to offer the necessary level of support and care for children and were impacting negatively upon their development as a result. A focus group study by Arnold et al. The intense and cyclical nature of FMS symptoms can make regular work incredibly difficult, and this appeared to have had a severe impact on the identity and self-esteem of these participants with FMS:.

I expect being best okay? Work was absolutely impossible for many of the participants and for the others, symptoms and medications dictated the extent to which regular work was possible. This created reliance on others, financial difficulties and guilt of not being able to provide for their family:. The financial reality for many was the need to accept benefits but this damaged the pride of those used to working. The invisibility of the condition and an ongoing public discourse in the United Kingdom regarding the credibility of disability benefits can lead to stigmatisation of those with FMS.

Garthwaite describes how media language can be employed to stigmatise those who receive sickness-related benefits as unwilling rather than unable to find appropriate work. Such rhetoric from the media and politicians not only fuels public misunderstanding but also may reduce the openness of employers to people with disabilities.

These findings are in line with the study of Bossema et al. The participants described needing work which is paced in such a way so that energy may also be conserved for time away from work. The relationship between these participants and their FMS developed over time with changes to both the status of the condition and the individual.

A discord between body and mind was alluded to by several of the participants. The difficulty that many participants had in pacing activities to minimise the likelihood of flare-ups was based upon a feeling that they had to make the most of times when the symptoms were less intense. This natural reaction characterised the daily experience as an ongoing fight with FMS in order to maintain some form of agency. It seemed an unwinnable fight, which understandably led some to grieve the life they were meant to have and feel a profound sense of unfairness in their position:.

For those further along the illness trajectory, the concept of acceptance was occasionally raised:. I think the biggest part of it was acceptance and … I only accepted it last year. So what … seven years fighting? The process of gradually accommodating to FMS often took the form of major adaptations to lifestyle with some adapting their home including converting rooms downstairs , two needing crutches or walk-sticks and four using a wheelchair.

Three of the participants had clearly experienced times when acceptance was far from their minds: the hopelessness and burden of the excruciating symptoms and psychosocial strain had led to thoughts of suicide. Everything had just … nothing mattered. Despite occasional accounts of a deep sense of hopelessness, the interviews were characterised — in the gestures and the tones used — by pragmatism in the face of many of the barriers and difficulties these participants had faced.

While the experienced pain and FMS generally was often referred to as separate and uncontrollable using a biomedical model which reduces the accountability of the person with FMS , participants also referred to the interconnectedness of the mind, body and environment in symptom progression and management. The Cartesian dualism and biomedical model are thus enlisted and then rejected in these complex and ambiguous and conflicting understandings of the FMS experience. This study demonstrated the immense disruption FMS had upon the lives of these participants, the challenges faced in accessing treatments and the inadequacy of many treatments.

Pain and fatigue seemed at times to dominate their lives. Pain was extreme and idiosyncratic but would be misunderstood by others largely because of its permanence. These findings are replicated in more recent studies of FMS Sorensen and Christiansen, and of chronic pain more generally Stenner et al. In our findings, fatigue could be totally debilitating, and the personal benefits of activities were constantly balanced with their negative consequence.

Participants in previous studies e. Two themes outlined in Crowe et al. Frustration and depression are commonly described consequences of these disruption of activities, goals and aspirations in previous work e. Carel , however, asserts the ability of individuals to set fluctuating levels of illness to one side, in order to carry on as the pain recedes despite the knowledge that the symptoms will flare-up again.

In this way, consequences were usually ignored by the participants of this study in order to make the most of the better times. Thus, most participants still seemed to be fighting FMS, and others were starting to accommodate it in their lives, but few were even considering accepting it. Many had been forced to withdraw from work and from large parts of their social and family life as previously observed by Wuytack and Miller Most wanted to stay in work but described structural barriers and interpersonal challenges in so doing, and those who had been forced to leave did so reluctantly and grieved the losses this created.

Similarly, our participants had resented and railed against, rather than accepted, these enforced changes in their lives. Opportunities to continue employment may well be controlled by issues outside the individuals control such as the need for adjustments to workload, hours and tasks. These accommodations require the help and understanding from management and colleagues and although complex, this study is helpful in re-directing the question of employment for people with FMS away from a focus on individual disability to a consideration of how organisations might support the desire to continue work.

The chosen method produced rich data which has offered insights into the experience of FMS, which both support and extend previous findings. They also present a novel and helpful view of treatment experiences within the United Kingdom, which will be expanded upon in large-scale surveys. Although many of the interviews touched upon emotional and painful experiences, the participants described the study experience as useful and were extremely positive that their voices were heard and were included in research.

A common perception was that FMS research especially in the United Kingdom was lacking, which was seen as further evidence of the diminished position of FMS relative to other conditions. The sample were drawn from local support groups, so these may be individuals who do not perceive they are receiving sufficient care from their family and healthcare providers, and in some cases, the participants were active in attempting to create the expertise and support service within their group that they felt was lacking.

Many from the group were unable to work and so the sample may suffer more severe symptoms than the general FMS population.

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Furthermore, the participants had the confidence to participate in such a group so may be a more vocal, unsatisfied and symptomatic sample than the broader UK population with FMS. It may be argued that the issue of authenticity itself is a product of a sample of whose search for recognition of their illness meant they were more likely to participate. The issue of the invisibility of the illness was keenly felt in this study, similarly to findings made by Lempp et al.

The incongruity between what is felt by the individual and seen by the outsider forms one part of the common thread tying the accounts together — that of the authenticity of FMS within UK culture. Difficulties in doctor—patient relationships often began during the long wait for diagnosis, as reported elsewhere. Accurate diagnosis is important; however, the doctor—patient relationship is a long and potentially problematic one, especially in the context of under-developed understanding of the condition, varied treatment paths, many of which prove unsatisfactory, and financial constraints on providing more popular options.

Our study highlights how these aspects contributed to a long-term disruption to the expected healthcare experience, resulting in growing mistrust of the medical profession, indeed, a mutual loss of trust Juuso et al. For the person with FMS, diagnosis is a step in a process of discovery about the condition and living with it, which gradually unfolds and is never complete Adamson, Navigating this process involves drawing on a range of resources, in which medical advice plays a vital, but not by any means the only, part Madden and Sim, Participants in this study perceived a lack of expertise and resource within the NHS which forced many into difficult decisions regarding private healthcare.

The sense that for many patients the onus was upon them to repeatedly demand satisfactory treatment for such a debilitating condition was profound and suggests professionals could consider taking a more proactive approach to FMS. The authors suggest that researching treatments, with the concomitant energy and skills required to access or to demand them, should not be the responsibility of a patient with a diagnosis of FMS.

Our participants were all drawn from online support groups and had, therefore, taken it upon themselves to seek out the support they lacked elsewhere. Raymond and Brown discussed the importance of support groups in coping with diagnosis, and Madden and Sim described the role of the support group as an ongoing co-creator of FM diagnosis.

Somewhat in contrast to certain previous findings e. Crowe et al. The data suggested that an important part of new relationships was the sense of understanding and validation which was lacking elsewhere. Using Leventhal et al. In a recent study by Ruiz-Montero et al. Kool et al. Such findings underline the very social nature of this phenomenon and the multiple layers involved in the construction of illness authenticity.

The contested status of the condition has led to a social construction of FMS which negatively impacts the experience of those living with it Lempp et al. The reframing of FMS would require both validation of the condition by health professionals and increased public awareness. I understand her reasons behind it. Please bear with me as I try to recall moments from this season.

Oh, how I wish I had paid more attention when it first aired! Vampire FAIL! Wood finally has a confrontation with him, but he gets his ass kicked never lied Wood. He injures one of the new Potentials, and Buffy learns that she has a lot more to deal with now. Oh, and we also get the much-welcome return of… Faith!

THE SOUL SEEN – Retrospective

Or just hang out. And Buffy tries to come up with a new plan of attack, but the Potentials are slowly turning against her and her leadership skills. The girls, fed up with Buffy, throw her out of her own house. But Caleb and the Bringers are holding out on the Faith and the Potentials…. This weapon will change the coming Apocalyptic battle between The First and its army of uber-vamps called the Turok-Han. But first Buffy has to survive long enough to keep the ultimate Slayer weapon within her grasp. You are commenting using your WordPress.

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