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Te cuento mi cuento (Coleccion Corcel / Steed Series) (Spanish Edition)

As he was self-employed, he had very little money coming in at all, just a small monthly payment from an insurance he had taken out. People often stopped just to look at them, shook their heads and usually just walked away. Gente tratando de caminar de cabeza. They must be mad! What will they think of next?

Opal was used to her paintings being laughed at.


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Now she was working on an extension of this idea but kept it all quite secret for the time being. She had no false hope of being recognised as a serious painter at all and, anyway, it was well-known that women painters were not taken into serious consideration easily. Opal had continued painting notwithstanding getting married and having two children. She had never sold any of her pictures even though everyone admitted she painted well and had an excellent technique.

The trouble was that now she was the bread-winner of the family and that sooner than ask for benefits or handouts she had thrown herself into selling second-hand books. Opal went to the market twice a week and to a different car boot sale every Sunday morning.

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Opal had put an ad in the window of the local corner shop and found that many people wanted to get rid of old encyclopaedias and detective stories. Now Opal carefully placed a small green teddy in a wicker basket in front of her stall. The builder laughed. They were going to dump them! How much do I owe you?

Bye bye Opal! Where on earth did you find the paintings? The man put his shopper down on the ground. Esta es mi tarjeta. This is my card. Would you like to give me your telephone number - Opal? Opal just stared at the man for a minute to see if he was being serious. Tenga, se lo voy a escribir. Then suddenly the sun came out and a rainbow appeared. Opal shook the water off the plastic sheeting and people suddenly started appearing from nowhere. I keep them here.

Would you like to see them, they are here behind these modern classics. Shaw pulled out his reading glasses and started browsing through the books printed in Gothic characters.

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Over there — all English and American detective stories. Opal was used to Becky rushing by as she was a nurse and always wanted something to read on the bus on her way to work. Estaba en la clase de Jane, la hija de Opal. Opal liked to watch people milling round the market-place. Era siempre una oportunidad maravillosa de observar la conducta humana. It was always a wonderful opportunity to observe human behaviour.

Se preguntaba con frecuencia que tipo de gente eran e inventaba historias en su mente acerca de ellos. She often wondered what sort of people they were and invented stories about them in her mind. Occasionally she found people she wanted to put into her paintings. Thank you for finding him! As Opal stacked her cardboard boxes full of books back into her van, Shazia, who sold fruit and vegetables in the market, came over. Now it was time to get back home quickly where Opal would start her second job — of looking after Brendan and the children. Brendan siempre se animaba cuando Opal llegaba.

Had a good day? Te empujo hasta la cocina. Fortunately they had an en suite utility room behind the kitchen which Brendan could get to more easily. Then the landline phone rang. Le di mi tarjeta. Theo Salder here - you remember, the advertising manager of In A Wink. I gave you my card. Opal had often fantasised that when, for the first time, someone was seriously interested in her paintings she would try to appear nonchalant, but now that the moment had finally arrived she opened her mouth to speak, but only inarticulate sounds came out.

I wanted to drop round to see the originals of the photos on your stall. Next morning Opal, anything but composed, sat down with Theo Salder in the sitting room. I have already prepared one for the class. I will be passed around so everyone can take a look at the acrostic poem. When everyone is finished we will discuss them.

Later, today I will start reading a book called, My name is Maria Isabel 2 chapters per day. How would I re-teach the lesson? Once they have written some information for their names, as a class, we would discuss them one at a time. Nacer Bailando Dancing Home. A year of discoveries culminates in a performance full of surprises, as two girls find their own way to belong. She has finally convinced the other kids at school she is one-hundred percent American—just like them.

Lupe, as much as Margie, is in need of a friend. Zubizarreta offer an honest story of family, friendship, and the classic immigrant experience: becoming part of something new, while straying true to who you are.

Kirkus Reviews : Two cousins, one born in Texas and the other in Mexico, learn the importanceof family and friendship. At home, she finds herself competing for attention as her parents welcome Lupe with Mexican foods and Spanish conversation. The third-person narration shifts its focus gently from girl to girl, allowing readers access to their thoughts and feelings.

Although sometimes wise beyond their years, Margie and Lupe will charm readers as each girl struggles for belonging and acceptance in this realistic novel. At first Margie is excited, but that enthusiasm dissipates when Lupe is placed in her classroom. Margie is relieved when Lupe is transferred to a bilingual class, leaving a desk near her for the newest classmate, Camille.

The girlsbecome great friends. Lupe stays after school to learn folkloric dances, and the book concludes with a performance that helps Margie understand how American she isand how her Mexican heritage fits into her identity. A Spanish-language edition, Nacer Bailando, is available simultaneously. Booklist : Ten-year-old Margie has spent her entire life trying to fit in—to pass as anAmerican—despite the fact that her parents were born in Mexico.

Then, herMexican cousin Lupe comes to live with them, and her plan goes awry. Margie begins to master Spanish, enjoys celebrating Navidad, and participates in a Cinco de Mayofolklorico dance at school. Ada, the author of many multicultural titles,including Tales Our Abuelitas Told: A Hispanic Folktale Collection , and Zubizarreta write knowingly of the difficulties of a life lived in two cultures.

Zubizarreta, which is being published in both English and Spanish, and tells the story of a fifth grader, Margie, Texas-born, California-reared and determined to be American at any cost. His silence may be the result of his living in difficult circumstances. But it is the friendship between the girls and the tall, blond Camille also a secret Latina at large that makes this an absorbing novel for readers of any background. And the authors, for the most part, handle the narrative with tenderness and charm.

New Book Journal : In Dancing Home, two cousins, one born in Texas and the other in Mexico, learn the importance of family and friendship. In the recently published Vivir en dos idiomas, Alma Flor shares with the adult reader the most important moments of her life: as a student, teacher, mother, activist, author and professor. She shares with openness and sincerity, and her engaging style as a storyteller, the circumstances that transformed her life, her experiences living in four different countries, the people who influenced her development and the lessons learned from life.

This memoir presents the most significant experiences of a writer for whom narrating is synonymous with being, and an engagement that she cannot live without. From the very first pages we discover an extraordinary, gifted life. The author recounts the smallest aspects of an apparently idyllic childhood spent in Cuba -her first school years, and the first encounters with what would later become much more than inseparable companions: books. We will journey with her through ups and downs, through cities and countries in three continents.

We will also witness the key incidents that led to her unflagging support of peasant immigrants in the United States. With exemplary style, Alma Flor Ada reveals the story of her career and invites us to find in books a new best friend. Desde las primeras paginas descubrimos una vida tocada por un don. Con la sinceridad que la caracteriza, la autora hace una exploracion personal, intensa e inspiradora de su propia vida. Este libro presenta las experiencias y reflexiones mas significativas de una escritora para quien la narracion es parte del ser, un compromiso inaplazable.

Con su inconfundible estilo, Alma Flor Ada nos relata los pormenores de una infancia aparentemente idiica en Cuba, sus anos de escuela y sus primeros encuentros con los libros, que mas tarde se convertirian en companeros inseparables, amigos, confidentes y portadores de su mensaje. La acompanaremos en su travesia, llena de avatares y logros, por distintos paises de tres continentes.

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Seremos testigos de episodios que marcarian para siempre su camino, como el contacto con maestros como Paulo Freire y las situaciones de injusticia social que motivaron su infatigable labor en pro de los campesinos inmigrantes en Estados Unidos. En estas paginas Alma Flor Ada nos ofrece, lejos de los reflectores de la figura publica, la posibilidad de ser sus companeros de viaje, mientras revela los secretos de su apasionante trayectoria.

It was indeed a challenging process to decide what from my very long and rich life to include in a book of memoirs, and a challenge as well to decide on the style of the book. The book was started initially at the suggestion of Amaya Elezcano, a wonderful Alfaguara editor in Madrid, Spain, who encouraged me to work on a series of three books corresponding to different phases of my life. Later, another talented editor from the Alfaguara group, Silvia Matute, decided to publish the work in the Aguilar autobiographical collection as a book with three distinct parts.

It explores my first experiences of living in a different country, of trying to study and learn in another language, of awakening to the destructive forces of racism and discrimination which could lead people to renounce their own language and identity. The reflections brought about by these experiences would have a lasting influence on my life.

There are also more intimate reflections about my own spiritual search. The style of this first part is different from the other two. Because Cuba played such an important role in defining my experiences, I felt the need to share some sociocultural content with the reader. To that end, each chapter is preceded by a vignette depicting a specific geographical, social or cultural aspect of my country that frames, or influences, the personal experiences.

It was a period of great change in my life.

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While I insist that I have never left Cuba, which is so much a part of me, I had to learn to live outside of my country, and far away from everyone I knew and loved. During that period I developed a profound love for another country, Peru, completed a doctorate, met some extraordinary teachers, and began publishing. But above all, during that time I began my lifelong work as a bilingual educator and the essence of my whole being was transformed as I became a mother. The third part of the book covers some of the work experiences and ongoing reflections that have made up my life of advocacy in the United States since It explores the influence that Paulo Freire has had on my life and work, as well as what I have gained from working with farmworking families and from the dialogic process of learning alongside my doctoral students at the University of San Francisco and all the teachers whose classes and schools I have been privileged to visit.

Embarking on the introspective journey that writing a memoir requires is both difficult and demanding. At times, one is drawn so strongly into the past that it becomes difficult to be present in the here and now. Some of the memories are painful and haunting and if, until now, they have been explored only superficially, facing them may indeed be a hard task.

Yet, how rewarding to be able to revisit one's life! And of course, that means to live again both joys and sorrows, successes and mistakes, presences and losses. But above all, to remember is to accept the opportunity to keep on learning from life Sharing it, amidst smiles and tears, has been an act of love.

It started with finding compassion for the many persons I have been, from girlhood to adulthood, but became above all an expression of love for all who in one way or another have been part of the story, and for the unknown readers who may find in these pages, I hope, an invitation to explore their own inner journeys. Thanks to life, to existence, to everyone I have encountered along the way, and to each day.

I have lived without expecting either punishment or reward. Now I discover the reward has been each day I have lived! Esta parte recoge recuerdos y relatos de su querida Cuba al igual que sus primeros encuentros con la cultura estadounidense. Y la tercera aborda su labor educativa y literaria en EEUU, donde ha residido desde , y la influencia de Paulo Freire en su incansable labor social. El tono de "Vivir", sin embargo, no resulta pomposo, sino sincero y agradecido. Eleven remarkable stories will move and inspire children and adults alike.

Telling of her childhood in Cuba, Ada begins with an introduction to her homeland followed by 11 episodes about her family and her community. One story tells of her grandfather Modesto's courage and loyalty in the face of the death of his beloved wife and the simultaneous collapse of the Cuban economy. Another tells of her great-grandmother Mina, who continued to make rag dolls for the village children even after she had lost her sight. And a third tale tells of a Japanese street vendor who sold ice cream for a living, but gave generous samples to children who could not afford to pay.

Warmth and love for a treasured childhood exude from the pages. The writing is elegant, but not overly sweet. Each selection stands well on its own. Children can read this book independently or enjoy listening to it read aloud. The Book Nest : The novella is a series of vingettes, with each chapter as a titled story - I think my favorites were "Mathematics" and "The Rag Dolls," both of which are about her beloved great grandmother.

Because of their elegant simplicty, I think these stories could be read with pleasure to or by children as young as 8 or 9, but appriciated on a different level by adults. Highly reommended. I feel like the world is a more beautiful place, having read this charming book. Alma Flor Ada takes us to the Cuba of her childhood, and reading her stories, I felt like I was sitting at the feet of a beloved Gramother, listening to her tell me of the life she knew. The stories feel that intimate and familiar. We meet people, both relatives and friends, who show compassion and a zest for life - from the blind great grandmother who can sew rag dolls by touch and the hired man who plays the accordian at night.

The text was so lyrical, I truly felt like I was living amongst the trees and the memories of those people who made Alma into the woman she is. School Library Journal : Grade Those who wonder what "family values" really are may possibly find the answer in this slim volume of short stories. A second volume is called Under the Royal Palms. And every night, at bedtime, my father told me stories he invented to explain to me all that he knew about the history of the world.

With all these storytellers around me, it is not a surprise that I like to tell stories. It is called "The Teacher," and recounts a poignant experience in the life of her grandmother. In the telling of this story, she captures a spontaneous teaching moment that reveals the heart of the teacher her grandmother and the ultimate purpose of teaching. I was very moved by this story and the way she told it. Here's an excerpt from it that was printed on the back cover of the book : "Look," continued my grandmother, as she pointed to the road that bordered the farm. There the students saw a solitary man walking.

He is walking by us. In a few minutes he will be gone forever, and we will never have known who he is, where he is going, what may be important in his life. He was very thin and a coarse guayabera hung loosely over his bent frame. His face, in the shade of a straw hat, was weathered and wrinkled.

Both books are well worth reading for adults as well as for children. Juanita lives in New York and is Mexican. Felipe lives in Chicago and is Panamanian, Venezuelan, and black. Michiko lives in Los Angeles and is Peruvian and Japanese. Each of them is also Latino. Thirteen young Latinos and Latinas living in America are introduced in this book celebrating the rich diversity of the Latino and Latina experience in the United States. It was the 1 new release in the Spanish Language Instruction section on Amazon for nearly a month after it came out and currently has 17 reviews there with a 4.

Sign up below. I have whole series of emails many series! Just spread it around. Example: Dr. They also let you quiz yourself on the video by playing it with certain words blanked out of the subtitles and you have to fill in or select the correct choice you can choose between fill-in-theblank or multiple choice. My book!